Dialogue and voice
Each character speaks the way they speak, from the first page of the novel to the last.
Books · Literature
For authors, translators and publishers who want Arab readers. Dialogue that reads as if it were written in Arabic, the author’s voice steady across the chapters, and every word under your hand. Arabic novels and stories go into English the same way.
Literally: “And he was hard on himself: he drank gin when he was alone, to mortify his craving for aged wines; and for all the pleasure he found in the theater, he had not passed through one of its doors in twenty years.”
From Strange Case of Dr Jekyll and Mr Hyde, chapter one; the original is in the public domain. The Arabic keeps Stevenson’s door, and its word for “mortify” keeps the old religious sense of subduing a desire.
In the eighth century Ibn al-Muqaffa translated the fables of Kalila and Dimna into Arabic from Middle Persian, and from Arabic they traveled into many languages. A literary translation works when people read it in their own language as if it had been written for them.
Each character speaks the way they speak, from the first page of the novel to the last.
The name, the title and the way others address a character stay as you decided.
Your edit stays and is saved to the memory, and the machine never writes over it.
If the work is still in copyright, yes: you need the rights holder’s permission before you publish. Works in the public domain need none.
It writes a strong draft, but a text can read smoothly and still be wrong. That is why the decision stays with a person who reads it against the original.
Yes. Both directions work the same way.
One chapter is enough to judge for yourself.
The trial: 14 days and 10,000 words, about 40 pages, no card needed. Upload a file or a chapter within that limit, and we will agree on a longer book with you.